Best MIDI Keyboard Controllers 2025: I Tested 22 Models

Choosing the right MIDI controller in 2025 can be confusing. There are tons of flashy options out there, and unfortunately, most “best MIDI controller” lists online are written by people who haven’t even touched the gear.

I’ve personally tested 22 MIDI controllers in the last year alone, and I’ve been working with them for over a decade, both in the studio and on tour. This guide is based on real hands-on use, from controlling DAWs to live synth rigs to programming full arrangements.

If you’re not sure which controller is right for your setup, feel free to reach out to me through the chatbot below, it connects directly to me, not a bot, and I’m happy to help.

This has been fully updated as of July of 2025.

Here’s a quick look at the top MIDI controllers available right now in 2025:

Model	Best For	View Price
Arturia Keystep Pro 37	Best overall Read More	View Price
Novation Launchkey Mini MK4	Best mini Read More	View Price
Novation Launchkey MK4 25	Best under $200 Read More	View Price
Arturia KeyLab MK3 (49/61)	Best under $500 Read More	View Price
Komplete Kontrol S49 MK3	Best under $700 Read More	View Price
Arturia KeyLab MK3 88	Best 88-key Read More	View Price

A great MIDI controller isn’t just about pads or faders. What really matters is how it fits into your workflow. The best ones feel natural when you play, respond well to dynamics, and don’t require a ton of setup to get working with your software.

Good DAW integration, reliable connectivity, and responsive keys or pads go a long way. I also look at how flexible the controller is across different setups. Whether you’re controlling synths, triggering samples, or sequencing a full track, a solid controller should feel like an extension of your creativity, not a limitation.

Quick MIDI Controller Comparison Table

Model	Key Count & Action	Pads	DAW Controls	Aftertouch	Connectivity	Notable Features
Arturia Keystep Pro 37	37 velocity-sensitive w/ aftertouch	No	Transport, assignable	Yes	USB, MIDI In/Out/Thru, CV, Sync, Sustain	4-track sequencer, CV control
Novation Launchkey MK4 25	25 full-size synth-action	16 RGB	Transport, knobs, scale/chord/arpeggiator	No	USB-C, 5-pin MIDI Out, Sustain	Ableton integration, chord/scale modes
Arturia Keystep 37	37 slim keys, velocity-sensitive w/ aftertouch	No	Assignable knobs	Yes	USB, MIDI In/Out, CV, Sync, Sustain	Sequencer, CV/gate, compact form
Arturia KeyLab MK3 (49/61)	49/61 synth-action (semi-weighted)	12 RGB	Faders, encoders, full transport	Yes	USB-C, MIDI I/O, CV (on 88), Pedals	Analog Lab Pro, deep DAW mapping
Komplete Kontrol S49 MK3	49 semi-weighted w/ poly aftertouch	Touch-sensitive zones	4D encoder, full DAW transport	Polyphonic	Dual USB-C, MIDI I/O, Pedals	Kontakt/NKS integration, color screen
Arturia KeyLab MK3 88	88 fully-weighted Fatar TP/100LR	12 RGB	Faders, knobs, transport	Yes	USB-C, MIDI I/O, CV, Pedals	Piano V plugin, expressive keybed

Best Mini MIDI Controllers

Mini MIDI controllers are always with me, whether I’m writing in a hotel room or just testing sounds at home. They’re compact, reliable, and surprisingly feature-packed if you pick the right ones.

I’ve tested almost every mini controller on the market over the years, and most just don’t feel inspiring. These two do. One’s perfect for beginners. The other is all about portability and quick ideas on the go.

Novation Launchkey Mini MK4 – Best Mini Controller for Beginners

Available in: 25 mini keys

Keybed: Velocity-sensitive mini keys

Connectivity: USB-C, 3.5mm MIDI Out, Sustain input

Software: Ableton Live Lite, Novation Sound Collective

This is the mini controller I recommend most often. It’s light, affordable, and honestly just fun to use. The keys feel responsive for the size, and Novation packed a ton of features into this small footprint, from chord and scale modes to a surprisingly good arpeggiator.

It’s clearly built with Ableton in mind, and everything integrates fast. But I’ve used it with Logic, FL, and even standalone hardware, and it holds up. If you’re new to production, this is a great entry point. And if you’re a seasoned producer who needs something ultra-portable with real pads and knobs, this one still makes sense.

I’ve tossed this in my backpack more times than I can count and never had an issue. It’s that reliable.

What I Like

• Super compact and lightweight
• Excellent chord, scale, and arp modes for creative ideas
• Pads and knobs are surprisingly solid for a mini controller
• Works out of the box with Ableton, but easy to map elsewhere too

What I Don’t Like

• No pitch/mod wheels
• Mini keys are what they are, fine for ideas, not full playing
• Plastic build, though I’ve never broken one

Verdict

If you’re just starting out or need a reliable travel controller, this is one of the best tools you can get your hands on. It’s stayed in my rotation for years, and I don’t see that changing.

Arturia Microlab – Most Portable Mini Controller

Available in: 25 mini keys

Keybed: Velocity-sensitive mini keys

Connectivity: USB (with built-in cable), Sustain input

Software: Analog Lab Lite, UVI Grand Piano, Bitwig 8-Track

This one is all about portability. I’ve brought the Microlab on flights, thrown it in backpacks without cases, and used it in hotel rooms to sketch out ideas, and it’s never let me down.

There are no knobs or pads. That’s not the point. It’s built to be dead simple and easy to set up. You get a surprisingly solid-feeling mini keybed, a built-in USB cable that tucks into the shell, and Arturia’s rubberized outer shell that adds legitprotection.

The included software is a nice bonus too. Analog Lab Lite gives you access to some great presets, and Bitwig 8-Track is enough to start producing right away if you’re just getting into DAWs.

What I Like

• Ultra-compact and easy to travel with
• Built-in cable system is genius
• Feels more durable than most in this range
• Software bundle adds serious value for the price

What I Don’t Like

• No pads, knobs, or transport controls
• Not great for full production work
• More of a sketchpad than a centerpiece controller

Verdict

The Microlab is my go-to when I need something I can just throw in a bag and go. It’s not for full sessions, but for songwriting, sound testing, or controlling VSTs on the fly, it punches way above its weight.

Best MIDI Controllers Under $200

This is one of the most competitive price ranges out there. You’ve got a mix of beginner-friendly gear and surprisingly deep tools if you know where to look. I’ve tested everything in this range, and these two controllers are the only ones I consistently come back to.

Whether you’re just starting or already producing and want more hands-on control, both options here have something unique to offer.

Novation Launchkey MK4 25 – Best for Beginners, Scales with You

Available in: 25, 37, 49, 61, and 88 keys

Keybed: Full-size, synth-action (25/37/49/61), semi-weighted (88)

Connectivity: USB-C, 5-pin MIDI Out, Sustain input

Software: Ableton Live Lite, Novation Sound Collective, Splice trial

This is one of the first controllers I recommend to beginners, and honestly, I still use it regularly. The 25-key version is compact and easy to set up, but it doesn’t feel cheap or stripped down. The keys are full-size and responsive, and you get proper DAW transport controls, 16 RGB pads, and smart tools like scale and chord modes that help you write faster.

What I love about this controller is that it doesn’t box you in. If you want to upgrade to the 49 or 61-key version later, everything scales up cleanly. I’ve brought the MK4 on flights and used it in studio sessions without missing a beat. For the price, it’s honestly hard to beat.

What I Like

• Full-size keys that feel better than most in this range
• Built-in arpeggiator and creative scale/chord modes
• Pads and knobs are solid and responsive
• Multiple size options so you can grow with it

What I Don’t Like

• No aftertouch
• Plastic chassis won’t survive a drop
• Pads are decent, but not amazing for finger drumming

Verdict

If you’re just getting into MIDI controllers and want something that actually feels professional, this is the move. It’ssimple enough for a beginner but powerful enough to last as you get more advanced. I’ve used it for years and still trust it for mobile setups.

Arturia Keystep 37 – Most Powerful Controller Under $200 (Not for Beginners)

Available in: 37 slim keys

Keybed: Velocity-sensitive with aftertouch

Connectivity: USB, MIDI In/Out, CV/Gate/Mod, Sync In/Out, Sustain

Software: Ableton Live Lite, Analog Lab Intro

The Keystep 37 is one of the deepest MIDI controllers I’ve ever used under $200. It’s not something I’d hand to a total beginner, but if you’ve been producing for a while and want more control, especially over hardware, it’s an absolute beast.

I use mine to control synths and external gear, and the CV/Gate output plus MIDI I/O makes it one of the most versatile tools in my setup. The sequencer alone is worth the price. You can create full arrangements without even touching your DAW. I’ve done full jam sessions on just this board and a couple synths.

The keybed is also surprisingly expressive, and the aftertouch adds a layer of control you usually don’t find until much higher price points.

What I Like

• Works great with both DAW and DAW-less setups
• Built-in sequencer is legit and powerful
• Has real aftertouch and expressive keys
• Solid build for the size

What I Don’t Like

• Not very beginner friendly
• No pads or DAW transport controls
• Steep learning curve if you’re new to MIDI routing

Verdict

If you know your way around MIDI and want something more powerful than the average budget controller, the Keystep 37 is unreal for the price. I use it all the time in hybrid setups with hardware synths and it never lets me down.

Best MIDI Controllers Under $500

Once you cross the $300–$500 mark, you start seeing real studio workhorses. This is where things level up, better keybeds, full DAW control, better screens, more pads, and builds that feel like actual gear and not plastic shells.

I’ve used both of the picks below in serious recording sessions and live setups. They’re different in how they’re built and what they’re best at, but both are rock solid and worth the price.

Arturia KeyLab MK3 – Best 49 Key Option & Under $500

Available in: 49, 61, and 88 keys

Keybed: Synth-action (49/61), fully weighted (88)

Connectivity: USB-C, MIDI In/Out, 3 pedal inputs (expression, sustain, aux), CV/Gate/Mod (on 88)

Software: Analog Lab Pro, Piano V, Ableton Live Lite

If you’re looking for a dependable studio controller that feels premium without going overboard, this is my favorite. I’ve used the 49 key version as a core piece of my writing setup and live rig, and the build quality is just next level at this price.

The layout is clean and efficient. You get faders, encoders, RGB pads, a central screen, and tight DAW control. The included Analog Lab Pro software is a huge bonus; there are thousands of sounds ready to go, and the integration is flawless.

What makes this one stand out is the feel. The keybed is quick and responsive, and the entire build feels like it could survive anything. If you’re someone who wants one controller that can do it all, this is the one.

What I Like

• Solid build and great layout for studio use
• Comes with full version of Analog Lab Pro
• CV and pedal support make it great for hybrid setups
• Keys feel excellent for synth work or composition

What I Don’t Like

• A bit large for cramped spaces
• Pads are decent, but not the best on the market
• The learning curve with Analog Lab can be a little steep at first

Verdict

This is the controller I keep coming back to in my studio. It’s balanced, well-built, and flexible enough to work in just about any DAW or setup. If you want a reliable main board, this is it.

Novation Launchkey MK4 61 – Best for Live Use

Available in: 25, 37, 49, 61, and 88 keys

Keybed: Synth-action or semi-weighted depending on model

Connectivity: USB-C, 5-pin MIDI Out, Sustain input

Software: Ableton Live Lite, Novation Sound Collective, Splice trial

The Launchkey MK4 61 is my favorite controller to bring on stage. It’s light but still has presence, and it nails all the things you want for live control, great DAW integration, easy-to-access transport, and fast setup every time.

The pads on the MK4 are some of the most consistent you’ll find in this range. The keybed isn’t luxurious, but it gets the job done and is easy to play fast. What really sells it for me live is the reliability. I’ve had zero issues with mapping or connectivity, even under stress in weird venues or during soundcheck.

You can also use it for production, obviously, but I think it really shines in a performance setting. It’s one of those pieces of gear you forget about because it just works.

What I Like

• Great live DAW control and transport
• RGB pads are responsive and easy to use
• Lightweight, easy to travel with
• Affordable and durable for the size

What I Don’t Like

• Keybed isn’t anything special
• No aftertouch
• Doesn’t come with a huge software suite

Verdict

If you’re looking for a 61-key controller that works well live and still holds up in the studio, this is it. I’ve trusted it on stage and in the studio, and it’s always been reliable, fast, and simple to use.

Best MIDI Controllers Under $700

This is where things start to feel truly pro. If you’re using high-end plugins like Kontakt or working with large template sessions, a controller in this price range can seriously improve your workflow.

I’ve tested both of these extensively, one in my main rig at home and one in studio sessions with heavier sample libraries.You’re paying more, but you’re getting way more out of the experience too.

Native Instruments Komplete Kontrol S49 MK3 – Best for Kontakt Users

Available in: 49 and 61 key

Keybed: Semi-weighted with polyphonic aftertouch

Connectivity: Dual USB-C, MIDI In/Out, 2 pedal inputs

Software: Komplete Select, Kontakt, Maschine Essentials, Ableton Live Lite

This thing is an absolute beast if you’re deep into Kontakt, Komplete, or the Native Instruments ecosystem. I’ve used the S49 MK3 with scoring libraries, synths, and hybrid orchestral setups, and the integration is seamless.

The polyphonic aftertouch is a standout. If you’re into expressive playing or want to control multiple parameters with pressure alone, it’s next-level. You also get a beautiful color screen that lets you browse presets, tweak parameters, and even navigate plugins without looking at your computer.

It’s definitely designed more for studio use than for stage, but I’ve brought it to live sessions and it’s held up great. The keybed is buttery smooth, and the build quality feels like a flagship product.

What I Like

• Polyphonic aftertouch adds insane expression
• Full-color high-res screen with plugin browsing
• Deep NKS and Kontakt integration
• Clean, minimal design with premium feel

What I Don’t Like

• Works best if you’re in the NI ecosystem
• No pads or faders
• Not the lightest for travel

Verdict

If Kontakt libraries are a core part of your workflow, or you want a polished studio experience with zero mapping headaches, this is the best option under $700. It’s in my studio right now and will stay there.

Best 88-Key MIDI Controllers

I’ve tested a lot of full-size 88-key controllers over the years, and most of them are either too bulky, poorly built, or justnot worth the money. These two are different. Both feel like real instruments and deliver excellent playability, whether you’re producing, performing, or practicing piano.

Arturia KeyLab MK3 88 – Best All-Around 88-Key Controller

Keybed: 88 fully weighted Fatar TP/100LR with aftertouch

Connectivity: USB-C, MIDI In/Out, CV/Gate/Mod, 3 pedal inputs

Software: Analog Lab Pro, Piano V, Ableton Live Lite

This is the 88-key MIDI controller I’ve been waiting for. It finally brings a proper keybed into a controller that still offers full DAW control, premium software, and modern connectivity. I’ve used this in both my home studio and rehearsal space, and it’s a total workhorse.

The Fatar keybed feels fantastic, not too stiff, not too light. You can actually play expressive piano lines, trigger orchestral libraries, and still have all the encoders and faders you need for production. Plus, you get CV and pedal inputs if you’rerunning hardware.

For me, this hits the sweet spot. Great key feel, deep control, and solid software to back it up.

What I Like

• One of the best keybeds I’ve used on a controller
• Full DAW control and Analog Lab Pro included
• Build quality is tour-ready
• Works well for both piano-focused players and producers

What I Don’t Like

• It’s big, so make sure you have the space
• Not cheap, but worth every dollar if you need 88 keys

Verdict

If you want a full-size controller that doesn’t compromise, this is the one. I’d take this over most digital pianos if I’m working in the box, it’s that good.

Studiologic SL88 Studio – Best Pure Keybed for Pianists Under $500

Keybed: 88 fully weighted Fatar TP/100LR

Connectivity: USB, 3x MIDI Out, 2x Pedal, 1x Expression

Software: SL Editor Software (custom zones, velocity curves)

The SL88 Studio doesn’t have pads, knobs, or faders, and that’s exactly why I love it for piano-focused work. This is all about feel. The Fatar TP/100LR keybed is the same one used in much more expensive instruments, and it plays beautifully.

I use this when I want to focus on expressive playing, whether I’m testing sample libraries or writing with virtual pianos. It doesn’t try to be a full production hub. It just gives you a rock-solid platform to play.

The build is metal, not plastic, and it’s surprisingly light for an 88-key weighted controller. If you want to bring it to gigs or use it in a studio where feel matters most, it delivers without distractions.

What I Like

• Fantastic key action for piano work
• Super clean and minimal layout
• MIDI Out ports let you control multiple devices
• Affordable considering the keybed quality

What I Don’t Like

• No DAW control or pads
• Requires SL Editor software to set zones or tweak curves
• Not designed for beatmakers or synth producers

Verdict

This is the controller I reach for when I care most about the feel of the keys. It’s not flashy, but it plays better than gear twice its price. If you’re a pianist first, this one’s for you.

Behringer FCB1010 – Best MIDI Foot Controller

I have been using the Behringer FCB1010 live for over a year now. I have nothing but good things to say about it.

Durability and ease of use are the things that stick out with this product. If you would like to read more about these types of controllers, I wrote a roundup of the best MIDI foot controllers on the market.

Overall Thoughts On The Behringer FCB1010

Overall, this is my favorite foot controller. I use this currently in my band and the programming was a breeze. It is durable when it comes to gigging and the foot pads don’t break easily.

Our Top Pick

Arturia Keystep Pro 37 – Best Overall for Advanced Production

Available in: 37 keys

Keybed: Velocity-sensitive with aftertouch

Connectivity: USB, MIDI In/Out/Thru, CV/Gate/Mod, Sync In/Out, Sustain

Software: None bundled, but works with everything

The Keystep Pro 37 isn’t for everyone, but if you know how to use a sequencer or want to dive into hardware integration, this controller is a game-changer.

I use this to run my entire synth setup, from DAW sync to analog modular to polyphonic sequencing. The onboard four-track sequencer is insanely powerful and lets me build full arrangements without even opening my laptop. It’s saved me in live shows, jam sessions, and even writing full tracks when I just want to get ideas down fast.

*With this being said, this is not an easy controller to learn and there’s a pretty steep learning curve for those not familiar with music production.

If you’re into industrial, modular, or heavy electronic production, this is the controller you want. The connectivity is the best in its class, with CV, MIDI In/Out/Thru, sync ports, and USB.  This is built for advanced users who know exactlywhat they need.

What I Like

• Four-track polyphonic sequencer is insanely deep
• Best-in-class connectivity for hardware integration
• Compact but incredibly capable
• Feels built for real-world use, not just bedroom studios

What I Don’t Like

• Not intuitive for new producers
• No pads or faders
• Can feel overwhelming if you’re not using the full feature set

Verdict

If you’re producing industrial, experimental, or synth-heavy music, or if you run a hybrid studio, this is the most advanced MIDI controller on the market. I use it in most of my studio sessions, and it’s never left my studio desk since I got it.

MIDI Controller FAQ

Do I need a MIDI controller with weighted keys?

If you’re a pianist or plan to play expressive parts (like orchestral libraries or solo piano VSTs), weighted keys can help tremendously. If you’re mostly producing beats or triggering samples, synth-action or semi-weighted is usually preferred.

What size MIDI controller should I get?

• 25–37 keys: Great for portability, basslines, and synth work
• 49–61 keys: Ideal for producers who want range without sacrificing desk space
• 88 keys: Best for pianists and composers who want full expression

What’s aftertouch, and do I need it?

Aftertouch allows additional expression when pressing into a key after the initial strike. It’s great for controlling modulation, filter sweeps, or vibrato without needing a separate controller. It’s not essential, but definitely a bonus for expressive playing.

Are pads important?

If you make beats or work with clip launching, velocity-sensitive pads are extremely useful. If you’re mainly playing keys or composing with orchestral VSTs, pads may not be necessary.

Do I Need A Sustain Pedal Input?

This depends on whether or not you’re using this keyboard live or as a studio keyboard. If you’re using a 49 key keyboard live, we recommend using one with a sustain pedal, as you might want to sustain certain parts.

Especially if you’re using a piano VST, you will definitely want the sustain pedal.

Do I Need Pads?

No, you don’t need pads on your keyboard. Having the pads just gives the musician a little more freedom, however, you can still program drum sounds from your laptop without having to use the pads.

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Why Do Bands Use MIDI Controllers Live?

A few stand out reasons: they are simple, they’re portable, and they can give you basically any sound that was used on your record to be played during a live show.

These keyboards are being used at every level for touring bands no matter if you are playing a local bar or an arena.

For the past five years of touring, I would say I have seen them used at probably 85 percent of the shows I have played at while touring around the United States and Canada, by some of the top performers in the industry.

For me, I have always wanted the ability to have the same sounds live as we do on our recordings. A MIDI keyboard controller was a good starting ground for me to see if this was indeed the route I wanted to go.

These are easy to program to your laptop by using a DAW such as Ableton Live or Logic.

The high-grade thing about these keyboards is they are generally not very expensive, which allows you to wet your feet a little bit before making a big investment.

Before I get into my favorite keyboards, Nektar has come out with a crazy good keyboard called the Panorama T4. I highly suggest checking out my review on it here. The key-bed is ridiculously good at mimicking a realistic feel.

What Kind Of USB Cable Do I Need For My Controller?

The most common USB cable you will be using will be a USB A/B cable. A tip that is really important is that when I first started using controllers I purchased cheap USB cables.

Don’t do this, they’re really not that expensive, so spend the extra couple dollars to get something that will be reliable and not cut out on you on-stage. It can be embarrassing if you lose power to your instrument.

If yours also has a power supply, you can use the USB and still keep the power in just in case the cable gets unplugged.

I recommend purchasing a longer USB cable as you never know how much ground you’re going to have cover on-stage. Stages can get pretty cramped and if you only have a 10-foot USB cable it will definitely haunt you at some point.

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What To Look For

What Are You Looking To Control?

If you are looking to just control a computer, then all of the products listed will do this.

If you want to control a hardware synthesizer or a synthesizer module, you will need to get an instrument that comes with a 5-pin MIDI out port.

Software Compatibility: 

The good thing about modern MIDI keyboards is that they have come such a long way with compatibility with the major DAWS you run them with.

In 2012 these were quite the nightmare to configure. Most of the products will work right out of the box with the software of your desire and some of them are made specifically for certain DAWS.

A good amount of the keyboards come with software and VST synths for out of the box control.

Features: 

It is important to figure out what features you are looking for in an instrument. Most of these come with knobs, modulation wheels, pads, and faders. The pads, faders, and knob will help with creating beats.

Transport Controls: 

These are the buttons on your instrument that give you full access to your DAW’s playback and recording controls. These buttons make it so you can maximize your productivity while working.

Which VSTs/Plug-Ins Are a Must Have?

This is a very common question in the controller world and it is extremely important. There are so many different VST’s that you can download and start using for your keyboard.

VST stands for Virtual Studio Technology and these are the synthesizers that you will be downloading for your instrument. Most keyboards come with some VST’s, but we also want to give you some of our favorites.

Nexus 

Nexus is one of the premier EDM VSTs. This VST has been used on so many iconic EDM tracks and as you start using your keyboard with these sounds, you will start to recognize some of the patches. This VST is very easy to use with a keyboard compared to other VST’s as well.

Nexus is known for having some of the best presets directly after download. I’ve been lucky enough to use Nexus on tons of songs and I have always been happy with it. Here is a guide to some amazing Nexus presets that we put together.

Sylenth 

Sylenth is another really popular VST that is used all of electronic music. This VST has some really good bass sounds as well as some crazy sounding leads. Keyboards work very well this VST as it is definitely on the easier side to use.

Output

This is our favorite VST for sampled vocals and beautiful sounding string patches. The first time I used this VST with my controller I was blown away by the sounds. There is a small learning curve with this VST, but it still on the easier side. The one thing with this VST is you can’t do that much customization with the sounds compared to other VST’s.

Arturia V Collection

For vintage, analog lovers, this VST is really fun. Some of the synths in here sound so good.

You’re going to get tons of pads with this VST. This VST is good for keyboard players looking to player synth-pop and synth-rock as it loaded with great sounds from the 80s.

Komplete

The Komplete VST includes Battery and Massive. Both of these extremely popular in hip-hop production today. Battery comes with really good hi-hat and 808 samples.

Serum

This VST gives you a lot of control and is very different from other VSTs for your keyboard. It has a crazy wavetable where you can customize your sounds.

If you find yourself searching for Serum presets, I put together a detailed list here.

OP-X

This VST sounds like it is straight from the ’80s. This is a clone of the Oberheim, which is the same keyboard that “Jump” and “Tom Sawyer” were recorded with. Your keyboard will definitely provide you with some fun with this VST.

Omnisphere 

This is a great all-around VST for your controller. This will give you a ton of sounds with a lot of control options.

MIDI controllers are built to control sounds and access sounds. These are all solid options for your keyboard.

What Is A DAW?

DAW stands for digital audio workstation.

DAW’s are used for recording, editing, and producing audio files. A DAW is going to be extremely important in the sense that most of the work you do with your keyboard will be on your DAW.

This is the place you will be recording all of your songs and production ideas. Check out our favorite DAW’s.

See my list of the best free DAWs here.

Is It Possible To Be A Music Producer Without A MIDI Keyboard?

Yes, it is possible. However, you will most like want some sort of keyboard to plug into your laptop so you’re not just programming all of the notes.

You can program the notes using a mouse, but this will take a very long time to come up with parts.

Even if the music producer is trying to save money, not having some sort of keyboard can hinder them when producing.

You can use these for so many different things while producing that it would only be a setback to not be using one.